Utopía y marginalidad. Habitabilidad en el margen de Valparaíso Un ensayo de Jorge Ferrada Herrera El…
Marta MORETTI
Freelance Journalist. ESPO Award Jury Member. Venice, Italy.
Born in Venice in 1961. Graduated in Contemporary History at the University of Venice (Ca’ Foscari) in 1986. Founder and Board Member of the River//Cities Platform Foundation (www.river-cities.net), set up in Warsaw in 2010 and active as a network promoting the valorisation of urban rivers as public spaces and cultural resources for citizens and visitors. From June 1rst 1989 to April 30th 2013, she was working for the International Centre Cities on Water in Venice, covering since 2002 the role of Deputy Director. During her 24 years long collaboration with the Centre, she was involved mostly in editorial issues being Editor in Chief of the Centre’s magazine: Aquapolis (1992; 1996-2001) and Portus (2001-2012). She was also Editor of the monthly digital newsletter of the Centre, Città d’Acqua News (2003-2012). She participates in conferences and seminars on the Centre’s issues at national and international level, and she partecipates to scientific publications with artiche and essays. Since 1988, she writes for local and national newspapers and magazines on cultural, urban and tourisms issues and since 2005 she is regularly registered at the National List of Journalist (Albo di Venezia). Following a personal and family interest, she is member of an Organizing Committee promoting the culture of archaelogical and modern glass in Venice and in its territory, and from 2013 and 2021 she was also member of the Board of the Italian Committee of AIHV (Association Internationale pour l’Histoire du Verre).
All its articles
The Worlds of Marco Polo. Stories of Travel, Discovery and Enterprise
Venice’s natural element is water, but its most illustrious citizen travelled by land. It was in…
Mediterraneo The Passenger, per esploratori del mondo
Il mare Mediterraneo, dal latino «in mezzo alle terre», evoca classicità, contaminazioni e clima mite immaginando…
Art on the Waterfront: The New Istanbul Modern Museum by Renzo Piano Building Design
Building a new place of culture, open and accessible to all, a building of light overlooking…
Venezia. Alter Mundus The “Great Beauty” of Venice in the Images of Alessandra Chemollo
Dedicated to those who will come after us…The ancient Venetians invented, day after day, their life…
ADRIJO. Virtual Museums to Discover the Port Heritage around the Adriatic Seaports
ADRIJO is a neologism resulting from the combination of two different words defining the sea that…
Part of Rotterdam
Part of Rotterdam is a retrospective on the work of the harbour painter Sasja Hagens (Utrecht…
The boating industry is back at the Arsenale of Venice
After nine intense days, the 2022 Venice Boat Show [1] concludes its third edition recording over…
Hugo Pratt. From Genoa to the South SeasGenoa, Italy | October 14, 2021 – March 22, 2022
Corto Maltese – sailor of all seas What links the tireless and fascinating Venetian sailor, born…
The port in support of culture
Il porto a sostegno della cultura I difficili mesi che ci hanno preceduto, segnati dalla pandemia…
A chi serve la città. Posthumous reflections by Marina Dragotto
Who is the city for? This is the theme developed in a several reflections on the…
A chi serve la città Riflessioni postume di Marina Dragotto
A chi serve la città. Questo è il tema sviluppato in una serie di riflessioni di…
Venezia 1600, un’occasione per conoscere il passato e progettare il futuro della città
Secondo una tradizione millenaria, il 25 marzo del 421 è comunemente riconosciuto come il giorno di…