Buenos Aires: puerto e identidad en una propuesta integral de la Administración General de Puertos Punto…
Juan Ignacio GARCÍA CHICOTE
Deputy Manager of the Port - City Projects, National Port Training Center of the General Administration of Ports S. E. (CENCAPOR - AGPSE). Buenos Aires, Argentina.
Graduated from the “Image and Sound Design” program at the University of Buenos Aires in 2010. During his undergraduate training, he completed with an OAS scholarship a specialization in film direction at the Federal University of Sao Carlos (Sao Paulo, Brazil). Professionally specialized in scriptwriting, production and audiovisual direction, he completed postgraduate studies in Transmedia Narratives (UBA). He is currently pursuing a law degree at the University of Buenos Aires, with a 70% approval rate in the academic curriculum, and the UNCTAD training course “Modern Port Management”. He is a creator of institutional content for 15 years at the Ministry of Culture of the City of Buenos Aires. Director of advertising and television content in Argentina, Colombia and Honduras. Between 2019 and 2023, political consultant in the communications area for a National Representation, and generator of specific content for trade unions, public universities and political campaigns. The first connection with the General Administration of Ports occurred in 2017, as an external content creator for the communication management, for 15 months. In 2021, he joined the National Port Training Center of the AGPSE, as assistant in the Department of Historical Heritage, subsequently as Head of the Project Management Department for the Dissemination of Port Identity, and currently, as Assistant Manager of Port-City Projects. In these two years he directed various projects, such as: the inauguration of the “Identidad Portuaria Argentina” exhibition in the cruise terminal belonging to the AGP Museum; the editing and direction of the photobook collection “Postales en Estiba”; the production of a 350 m2 artistic mural; the creation of a current and historical photographic collection; the restoration of railway cars and cranes from the beginning of the 20th century; among others.